Slipknot have gone 3-dimensional at last. This album is not just the album of the year - it's the album of your LIFE.I firmly believe that critics and future musicians alike will be discussing this album 30 years from now. 'Volume 3' is the 'Dark Side of the Moon' for the Maggot generation.
Volume 3 is an eloquent concoction of downright brutality and mellow, moody pieces which hint beautifully at the vulnerable, aching vocal expression of which Corey Taylor is so obviously capable. Vascillating between sweetness and menace, Slipkot fastens your seatbelt and takes you on the ride of you life weather you wanted to be there or not. They will not be ignored.
Hardcore Maggots will be reassured by the merciless, driving pace of song like 'The Blister Exists' 'Three Nil' and 'Welcome'.
However, what is striking about this album is its willingness to explore unfamiliar territory, thanks in part to the influence of producer Rick Rubin and his uncanny knack of enticing artists to stretch out of their comfort zone and produce something truly astounding.
A beautiful example of Slipknots' new-found confidence is in the heart-breaking masterpieces 'Circles' and 'Vermillion Part 2'. The latter being a stripped down acoustic guitar and vocal arrangement that allows us behind the masks to the more delicate aspects of their musical prowess.
As a guitarist I am glad that Jim Root and Mick Thomson have been allowed to 'Take the bit between their teeth' and express themselves fully. These two guys aren't your average black-clad axe men, they're far more gifted than that and at last the world knows it.
So, there's something for everyone here. Shred and screaming for the kids and beautiful melodies and stellar musicianship for the more discerning listener.
The Iowa nine have grown up. Expect them to keep growing for many years to come.
Embrace the change or bail out now - apathy is NOT and option.
Being a musician Slipknot rank as a weird band when it comes to playability. I have all the Knot's albums including MFKR but ever since I picked up their debut in early 2000 they have started to fade from choice mainly being that it just all sounded to much. I wanted solo', acoustic peices, black metal drumming and the melody which Corey experimented with Stone Sour. None the less I had to buy the album the day it came out, Just like I had done with Iowa. So I did, To my suprise the music had evolved.Its a real instrumental album which kick starts with Melody, awsome lyrics and just Slipknot showing the world that they really talented.
The solo's kick arse, The acoustic work is sheer genius and the drumming is phanominal!!
Simple as, this is a great instrumental album and I recomend it to every guitarist who enjoys his metal!!