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Soundtracks

I, Flathead

I, Flathead

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Artist: Ry Cooder
Label: Nonesuch
Category: Music

List Price: $18.98
Buy New: $9.98
You Save: $9.00 (47%)



New (54) Used (10) from $9.98

Avg. Customer Rating: 5.0 out of 5 stars 6 reviews
Sales Rank: 2234

Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.1
Dimensions (in): 5.5 x 4.9 x 0.3

MPN: 511762
UPC: 075597990058
EAN: 0075597990058
ASIN: B0018QCXBE

Release Date: June 24, 2008
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
Shipping: International shipping available
Condition: New & sealed, great condition, mark on barcode , fast shipping.

Tracks:

  • Drive Like I Never Been Hurt
  • Waitin For Some Girl
  • Johnny Cash
  • Can I Smoke In Here?
  • Steel Guitar Heaven
  • Ridin With The Blues
  • Pink-O Boogie
  • Fernando Sez
  • Spayed Kooley
  • Filipino Dance Hall Girl
  • My Dwarf Is Getting Tired
  • Flathead One More Time
  • 5000 Country Music Songs
  • Little Trona Girl

Similar Items:

  • Harps & Angels
  • All I Intended to Be
  • My Name Is Buddy
  • Little Honey
  • From the Reach

Editorial Reviews:

Amazon.com
Ry Cooder's I, Flathead, is the culmination of his ambitious and fascinating "California Trilogy," the last of three albums in which the singer and guitarist journeys through the real and imagined history of mid-20th century, multi-ethnic California, sampling the sounds of its barrios and byways, its nightclubs and honkytonks. He encounters the disenfranchised, the hopeful, the cheerfully strange and seriously nefarious, along with the occasional alien who races around in a souped-up flying saucer on the desert salt flats. On previous installments, Chavez Ravine (2005) and My Name Is Buddy (2007), learning the facts and stories behind Cooder's songs made them even more compelling, whether it was the not-quite vanished legacy of the Chavez Ravine neighborhood of Los Angeles, bulldozed to make way for Dodger Stadium, or the allegorical, Bound For Glory-like adventures of Buddy Red Cat in a time of commie-baiting and union-busting. This time, however, no research is necessary: Cooder, a California native, has written a remarkable 104-page novella to accompany this disc, a surreally funny page-turner of a tale about itinerant musician Kash Buk and the various characters he meets in his travels out west, all of whom get to narrate parts of the story. If you mixed John Steinbeck with, say, Thomas Pynchon, and threw in a bit of Popular Mechanics for good measure, it might read something like the I, Flathead narrative.

Album Description
Ry Cooder's I, Flathead is the culmination of his ambitious and fascinating "California Trilogy," the last of three albums in which the singer and guitarist journeys through the real and imagined history of mid-20th century, multi-ethnic California, sampling the sounds of its barrios and byways, its nightclubs and honkytonks. The CD functions beautifully on its own, but also serves as a sort of soundtrack to the book equivalent. Abetting Cooder in his story telling is a veritable repertory of players who've appeared in the previous discs in the trilogy, among them drummer Joachim Cooder, Jim Keltner, Flaco Jimenez, Jon Hassell, Juliette Commagere and Gil Bernal.


Customer Reviews:   Read 1 more reviews...

5 out of 5 stars OMG this is well done and Entertaining!   October 13, 2008
I've always heard about Ry Cooder's sterling credentials as a musican. It's just that I had the impression that most of his stuff was on the goofy side. But, since he is one of the top slide guitar players, I wanted something from him in our collection. To my surprise this is a great album and the thing that I really like about it (besides the excellent instrumentation) is that the lyrics are so entertaining. Instead of a disc to be played a couple times and put on the shelf, this is one to be played over and over and over again.


5 out of 5 stars fantastic and evolved Ry Cooder   October 12, 2008
I bought this for my husband's b'day. He has been a music connisseur forever...I sometimes hesitate wondering whether he will like an artist. He love this and so do I..I felt Ry Cooter couldn't loose and this release is enought of a change from the Ry Cooter of earlier days to be a fantastic and enjoyable trip into new territory with an old friend. Buy and enjoy....Great road, traveling music amd we're headed to the beach in a few days....I can feel it now...


5 out of 5 stars Still going strong.   September 4, 2008

This new Album from Ry Cooder is a knockout. I thought that he had topped it with Buena Vista Social Club, but this ROCKS.
It showcases every style that the man has given us........... it is SENSATIONAL.
I would LOVE to hear his next album be a classical one, as I think that that's all that is left.
For fans young and old, do yourselves a favour and buy this.



5 out of 5 stars 5 Star Slide phenom   August 16, 2008
If you aren't well versed with Ry Cooder's music, you can be fairly certain that you'll get great music no matter which album of his you buy. This is the final of a trilogy about Los Angeles in the first half of the 20th century. Each has tells the story of the city and it's people. First was the album 'Chavez Ravine', the family oriented hispanic neighborhood cleared out to build Dodger Stadium. The second, 'My name is Buddy', is a fabulous ride through depression era migration and American socialism. If allegory leaves you cold, just enjoy the music. This album, 'I Flathead' is the final of the trio. If you really want a treat, the CD versions of Buddy and Flathead each include a very cool, small graphic novel within the CD case to accompany the album. Ry is one of our finest Musicologist and maybe the best slide player alive. (though Sonny Landreth is fabulous).


5 out of 5 stars Finally, an album surpassing his early work.   July 16, 2008
 2 out of 2 found this review helpful

I love this album. I've been waiting years for Ry to equal
Boomer's Story and Borderline and his early work (most of which
I bought on casette 30 years or so ago and still have). I frequently
listen to Buena Vista Social Club, but Ry's contribution on that was
impressarial rather than musical.
This album has great electric guitar and lyrics but I believe Ry's
vocals are better than they have ever been. Maybe age has smoothed
out the gravel a bit, or maybe he just found his true voice.


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