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Let the Buyer Beware | 
enlarge | Artist: Lenny Bruce Label: Shout! Factory Category: Music
List Price: $69.98 Buy New: $26.89 You Save: $43.09 (62%)
New (18) Used (3) from $23.29
Avg. Customer Rating: 17 reviews Sales Rank: 10421
Format: Box Set Media: Audio CD Discs: 6 Shipping Weight (lbs): 1.8 Dimensions (in): 11.1 x 9.2 x 0.7
MPN: 37109 UPC: 826663710922 EAN: 0826663710922 ASIN: B0002RUPGK
Release Date: September 14, 2004 Availability: Usually ships in 1-2 business days
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| Tracks:
Disc 1
| • | Are There Any Niggers Here Tonight? | | • | The Clap | | • | Lenny On Comedy Pt. 1 | | • | On Third Shows | | • | Father Flotskys Triumph | | • | Lima, Ohio | | • | Introduction To The Palladium/Annie Ross/What Was I Talking About? | | • | The Palladium | | • | Explanation Of Frank Dell And Bullets | | • | Censorship On The Steve Allen Show | | • | Taking Requests/Hip Diseases | | • | The Lawrence Welk Story | | • | How To Relax Your Colored Friends At Parties (with Eric Miller) | | • | Gotta Split | | • | Lenny On Playboys Penthouse (with Hugh Hefner & Nat King Cole) |
Disc 2
| • | Testing The Sony Microphone | | • | Lenny On Arthur Godfreys Talent Scouts (with Arthur Godfrey & Sally Marr) | | • | Critics/Club Owners | | • | Monster Routine With Hecklers | | • | Ive Never Been In Love Before | | • | Religions, Inc. | | • | Lenny Interview (with Studs Terkel) | | • | Airplane Glue | | • | The Phone Company | | • | My Trip To Miami | | • | Psycho Doctors/Faye Bainter/Jack Paar | | • | Ike, Sherm & Nick | | • | Non Skeddo Flies Again |
Disc 3
| • | Working Carnegie Hall | | • | Point Of View | | • | Christ And Moses | | • | Spanish Harlem | | • | The Joke | | • | Pretty Bizarre Show | | • | Dirty Toilet/Bad Early Toilet Training | | • | If Your Body Is Dirty, The Fault Lies With The Manufacturer | | • | What Should Be/What Is | | • | C.E. Hocksey Letters/My Father Solomon Osterow | | • | To Is A Preposition; Come Is A Verb | | • | Blah Blah Blah | | • | Dick Tracy Is An Orthodox Jew | | • | Milton Berle/Dykes/Homosexuality | | • | Cops/Where The Heat Are | | • | Going To Court/Wear A Blue Suit | | • | S.F. Gossip/Jewish & Goyish/Cat Downstairs Taping Show | | • | The Phantom | | • | Would You Want Your Sister To Marry One Of Them? | | • | Chick Singer With A Gimmick | | • | Billy Graham Is Not Qualified | | • | Touch It Once | | • | The Black Cat/Get Stuffed/Why Did You Lie To Me? | | • | Closing/Will Rogers Quote | | • | Lawrence Welk The Hipster | | • | Huberts Museum |
Disc 4
| • | I Just Do It And Thats All | | • | Ruby The Robot | | • | Mort Sahl, Shelley Berman, Jack Parr, Joey Bishop & Phyllis Diller/The Reason I Wear The Coat | | • | Why The Breakfast Show | | • | The Meaning Of Obscenity Pt. 1/Drew Pearsons A Son Of A Bitch | | • | Norman Rockwell/The Jazz Scene | | • | The Word Or The Act/We Fucked Their Mothers For Chocolate Bars | | • | Jimmy Hoffa/Castro & Cuba | | • | Thank You Mask Man | | • | Dangerous Drugs/Marijuana | | • | Jews Killed Christ | | • | Marilyn Monroe/Narcotics Vs. Juice | | • | You Dont Remember Me, Do You?/Youre So Classic Smoking A Cigar | | • | Kennedys/Jonathan Winters | | • | W.C. Fields The Anti-Semite/Hookers On Record | | • | The Meaning Of Obscenity Pt. 2 | | • | San Francisco Bust/Judge Entrapment | | • | The Act Is Kissin & Huggin | | • | Las Vegas Pt. 1/Johnny Mathis | | • | Ill Show You How Prejudiced You Are | | • | Corrupt Cities/Chicago Schtarkers/Shelley Berman | | • | Audience Banter/Why Doesnt He Do The Bits On The Records? | | • | Lenny On Comedy Pt. 2 | | • | Snot | | • | The Nerve Of Faggots | | • | Hooker That Balled The President | | • | Divorce/Get Even/Stag Movies Vs. King Of Kings | | • | Norman Thomas/Filipinos/Midgets | | • | Las Vegas Pt. 2/Pearl Bailey | | • | Australia | | • | Bela Lugosi & Wallace Beery/Entrancing Transylvania/Herb Caen | | • | The Warning (With Long Island Police Officer) |
Disc 5
| • | The Best Man In The Tribe | | • | The Tribunal | | • | Schmuck | | • | Reading The Court Transcript | | • | Pissing In The Sink | | • | Jewish & Goyish | | • | Philly Bust/Judge Axelrod | | • | Tits And Ass | | • | Never Cop Out | | • | Jackie Kennedy Hauls Ass/Selling Out Your Country (A.K.A. Hot Lead Enema) | | • | Dick Gregory | | • | Census Takers | | • | Barry Goldwater/The Truth About Men/Doing It To A Chicken | | • | LBJ | | • | Toilets/Flashers/Mark Eden Bust Developer | | • | How The Law Got Started (Eat, Sleep & Crap) | | • | Playing Milwaukee | | • | Marijuana/Flashers/Confusion/Bust In The Audience | | • | Lenny Gets Busted Onstage & Audience Gets IDd |
Disc 6
| • | All Alone | | • | The Heroin Bust | | • | Juror Phone Calls Re: The Heroin Bust | | • | Zeidler & Zeidler Commercials (with Honey & Kitty) | | • | Eleanor Roosevelt Had Nice Tits | | • | Religions, Inc. | | • | Phone Call Reading A Letter | | • | Christ & Moses | | • | Phone Call To Harry Kalvin | | • | Describing The Fillmore West/Yorty & L.A. | | • | Southern Accents | | • | Art And A Big Piece Of Shit (With Anonymous Friend) | | • | I Picked On The Wrong God | | • | My Name Is Adolf Eichmann |
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| Editorial Reviews:
Album Description UNEDITED, UNCENSORED, UNAPOLOGETIC...The ultimate Lenny Bruce box set 10 years in the making! Let The Buyer Beware is an unprecedented 6-CD boxed collection of Lenny Bruce's popular recorded performances, never-before-released performances, and various private recordings that tell the powerful, funny, and ultimately tragic story of the man whose brilliance and convictions turned stand-up comedy on its head. Lenny Bruce (1925-1966) was a brilliant, outspoken satirist unafraid to speak about such then-taboo topics as sex, race, religion and politics. According to critic Nat Hentoff, "Lenny delighted in exploring why certain words were forbiddenand then demystifying them." Bruce eventually became a victim of his own talent; he was blacklisted by the establishment, but fought the laws of censorship until it eventually killed him. Much of the public remains unaware of the wealth of personal recordings Bruce made over the years; he recorded everything from private rehearsals of new bits, to phone conversations and paranoid tirades. This collection is the first to tell the definitive Lenny Bruce story. *This long-awaited box set is the ultimate tribute to a man that Comedy Central calls the #3 comedian of all time. *Over 7 1/2 hours of performances, interviews, and wire taps, including: 69 previously unreleased recordings, 10 previously unreleased selections from Lenny's personal tapes, and 4 previously unreleased radio interviews. *Contains classic recordings of "Religions, Inc," "How To Relax Your Colored Friends At Parties," "Airplane Glue," "Jewish & Goyish," "Tits And Ass" and more. *Also contains such unreleased material as Bruce's WFMT Chicago radio interview with Studs Terkel, many bits from performances at the Jazz Workshop and Off Broadway in San Francisco, The Gate of Horn in Chicago, and The Den in New York and an unused radio ad for Zeidler & Zeidler clothiers. *Luxuriously packaged in a unique 80-page hardbound book, containing unpublished photos and memorabilia, as well as essays by Lenny Bruce's daughter, Kitty; Bruce expert Marvin Worth; set producer Hal Willner; and writer Paul Krassner; plus tributes, a chronology, a glossary, and much, much more.
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| Customer Reviews: Read 12 more reviews...
Legendary collection April 16, 2008 Hands down one of the best we'll ever see. When Dick Gregory puts you in a class with Mark Twain and Richard Pryor in terms of funniest ever, that says something. I found a copy used at a Newbury Comics, and for half off, and after listening, I would easily pay the 70$ for this collection.
Essential material for any red-blooded patriotic citizen February 27, 2008 0 out of 1 found this review helpful
Highly recommended listening for any red-blooded patriotic citizen and all compassionate members [or aspirants] of the human family.
And for all crewmembers of spaceship earth [Bucky Fuller]
Phenomenal audio-biography of Lenny's life, view, and humor December 15, 2007 2 out of 2 found this review helpful
This is a well put together package. I definitely don't recommend downloading this as it comes with an awesome oversized book containing photos of personal clippings, letters, and more information about Lenny Bruce. This is the most Lenny I've listened to at one time, and after listening to this and reading the book, I feel much more respect for Lenny and love him. There is some great comedy on here, but some of the selections were boring and had poor sound quality. I'd rather look into his live stuff and The Lenny Bruce Originals 1 + 2 for a more cohesive sound quality. If you want to learn about Lenny's personality and showmanship, you can't go wrong with this set -- this is an excellent production.
A Treasure Trove, but Not for Newcomers December 1, 2005 12 out of 13 found this review helpful
This is a great collection of some classic Bruce bits and a lot of lesser known and obscure recordings. If you're a Bruce fan and know his schtick--and you're fairly well-versed in Yiddish--pick up this set. If you're new to Bruce, don't start here. The sound quality varies wildly, Bruce's references are even more arcane than usual--well, this is for aficionados. Newcomers should pick up Bruce's classic (and cleanly produced) Fantasy albums, notably: The Sick Humor of Lenny Bruce, Togetherness, and American. Once you've absorbed these discs (with a copy of "Joys of Yiddish" nearby), then move to the Carnegie Hall Concert, and then...to this multidisc set.
LENNY LIVES UP TO HIS LEGACY February 8, 2005 39 out of 46 found this review helpful
Remember the old story about the old actor famous for his death scenes? "Dying," he explained to a younger acolyte, "is easy. It's comedy that's hard." Comedy may be hard, but anyone can do it. But none ever did it as well as Lenny Bruce. The funny man died of an overdose, at age 41, nearly 39 years go, but his legacy lives on. It's a life and legacy of laughter, and it's ripe for rediscovery. Now, a generation who never have heard of Bruce, for those who only know him from Bob Fosse's smoky (but well intentioned) bio-flick, for those who glance at an image of Bruce and think "Castro," can grasp one of the most inventive and prismatic talents of the last century in a set of rare recordings. "Lenny Bruce: Let the Buyer Beware" is a six-CD compendium of Bruce's best material, lovingly compiled by producer Hal Willner and Bruce's daughter Kitty. More than half has never been heard before, and a great many variants and alternate riffs of his most well-known material has been anthologized here. His debut on Arthur Godfrey's show is here, as well as the classic routines about Father Flotsky (a parody of Warner Brothers prison flicks), the Palladium (about an American comic dying on an English stage), as well as (real) taped phone calls to his lawyers. Horribly illustrated is his descent into near madness, not through drugs or degenerate lifestyle, but through the systematic persecution by the U.S. government. In America during the '50s and '60s, you could make jokes about anything, except, maybe, Jesus Christ, Milton Berle and Eleanor Roosevelt. Sacrosanct bastions were not to be made fun of, and especially not by an outsider, someone different, someone who was not a Christian. Bruce was a Jewish comic, steeped in the tradition, using the attitude and the language as a position to observe the mores and folkways of mid-century American life. It's not a stretch to see his persecution by the legal system of our country as another blatant example of anti-Semitism, a suppression of truth and, worst of all, an illustration of the stupidity and lack of humor inherent in a repressive government. Bruce's take on sexuality was summed up in his observation that if the human body was dirty, the fault lay with the manufacturer. He saw religion as a greedy profession, a logical extension of an industrial complex to control reason and money. Unfortunately, and fatally, Bruce believed in our government and legal system. Like a witty Thomas Paine, Bruce was a true patriot when it came to freedom of expression. Without Bruce there would be no Bill Maher, no South Park, no Jon Stewart, and considerably less freedoms in general --- not only in speech, but also in equality between races and genders. He was one of the first to use humor to attack America's prejudice against African Americans, gays and all of the non-religious, non-republican disenfranchised people in America. Yet one man's patriot is another man's traitor. Bruce was vilified by the press and by main stream contemporaries as sick, twisted and dirty. But it's not only Bruce's material, certainly genius and of an equal to Jonathan Swift or Mark Twain, but his performance style and presentational choices that this new collection celebrates. He may not have been the first monologist who didn't use the "A priest and a rabbi walk into a bar ..." joke catalogs, and certainly he had extended parables and parodies that could be termed as "jokes." Yet his basic presentation was something very new and different. Rather than a standard set with the identical jokes, pauses and ad-libs for each show, Bruce had an uncanny ability to listen ---- not only to his audience (as all performers must), but he had the uncanny knack of being able to listen to himself. Like a brilliant jazz musician, he could circle around a motif or a joke, listening to the sound and sense, backing off, teasing the story, until the timing was exactly right to blast into the theme or punchline. In the commemorative hardcover book that accompanies Let the Buyer Beware, there are a number of essays and appreciations of Bruce, but none so telling as a single page by his daughter. "His truths were based on our most coveted lies," she writes. "He left no room for rationalized bigotry or self-deception. He seduced his audience with a rhythmic and dynamic use of his own language, acting as the slow pull of a Band-Aid off denial." Look around at our nation of addicts, a nation where prescription drugs have their own snazzy TV commercials, when cell phones are required means of communication, when the religious right still controls the White House. Where is Lenny when we really need him?
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