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Soundtracks

Shaft: Music From The Soundtrack (1971 Film)

Shaft: Music From The Soundtrack (1971 Film)

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Creators: Isaac Hayes, J.j. Johnson
Label: Stax
Category: Music

List Price: $11.98
Buy Used: $4.93
You Save: $7.05 (59%)



New (47) Used (23) from $4.93

Avg. Customer Rating: 5.0 out of 5 stars 26 reviews
Sales Rank: 15480

Format: Soundtrack
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.5

MPN: 88002
UPC: 025218880220
EAN: 0025218880220
ASIN: B000000ZML

Release Date: November 7, 1991
Availability: Usually ships in 1-2 business days

Tracks:

  • Theme from Shaft
  • Bumpy's Lament
  • Walk from Regio's
  • Ellie's Love Theme
  • Shaft's Cab Ride
  • Cafe Regio's
  • Early Sunday Morning
  • Be Yourself
  • A Friend's Place
  • Soulsville
  • No Name Bar
  • Bumpy's Blues
  • Shaft Strikes Again
  • Do Your Thing
  • The End Theme

Similar Items:

  • Hot Buttered Soul
  • Superfly (1972 Film)
  • Black Moses
  • The Very Best of Isaac Hayes
  • The Isaac Hayes Movement

Editorial Reviews:

Amazon.com
The "Theme from Shaft" is now so ingrained in popular consciousness as the blaxploitation-movie track that it's hard to listen to it without a faint smirk. ("Who's the black private dick that's a sex machine to all the chicks?"!!) But if you can get past the inadvertent humor, it's still a devilishly exciting piece of music--all hi-hat 16ths, wah-wah guitar, strings, and woodwind, like a Norman Whitfield Motown production taken to a baroque extreme. The rest of the album consists mainly of incidental mood music of no great worth: "Walk from Regio's," "Ellie's Love Theme"--you know the sort of thing. Only two other tracks feature the Black Moses pipes, while the endless "Do Your Thing" takes its place in the catalog of Hayes epics that began with Hot Buttered Soul. --Barney Hoskyns

Album Description
Of the many wonderful blaxpoitation soundtracks to emerge during the early '70s, Shaft certainly deserves mention as not only one of the most lasting but also one of the most successful. Isaac Hayes was undoubtedly one of the era's most accomplished soul artists. With the Theme From Shaft, Hayes delivered an anthem just as ambitious and revered as the film itself, a song that has only grown more treasured over the years, after having been an enormously popular hit at the time of its release. Soulsville operates effectively as the sort of down-tempo ballad Hayes was most known for, just as the almost 20-minute Do Your Thing showcased just how impressive the Bar-Keys had become, stretching the song to unseen limits with their inventive, funky jamming. This CD features cinematic moments of instrumentation, composed and produced by Hayes while being performed by the Bar-Kays - some down-tempo, others quite jazzy. A Stax records


Customer Reviews:   Read 21 more reviews...

4 out of 5 stars that 70's feeling   November 19, 2008
shaft is a bad mother,you dig ? a great soundtrack. very emotional for me. i was a teenager at that time. the greatest times of my life. disco was about to hit the waves, great stars, great everything. i've met isaac hayes twice. a cool, great guy. i saw shaft in the movies at that time at times square for $ 1.25 including another movie with pam grier( my big crush). everyone, enjoy. ****


5 out of 5 stars Farewell Black Moses   August 12, 2008
 1 out of 1 found this review helpful

After hearing the sad news that Isaac Hayes had passes away yesterday I decided to pay tribute to the man that re-wrote the rules for popular music by writing a review of his classic soundtrack to the blaxploitation flick "Shaft" from 1971 with Richard Roundtree in the lead. When people talk about blax flicks they talk about Shaft and when they talk about Shaft they talk about Hayes. But in order to understand Hayes legacy we need to go back to 1969 when he released his groundbreaking album Hot Buttered Soul. An album that only included 4 songs and 4 songs much longer then the average radio time of 3 minutes at the time, Infact the shortest song clocked at 5 minutes and the longest at 18!. 3/4 of those songs were also covers but unrecognizable to it's originals. Hayes and his band The Bar-Kays would have long spoken intros, instrumental parts of horns, strings, organs and guitars and a productions that would be influentual to the birth of Hip Hop one and a half decace later. Hayes had a very unique deep voice and would sometimes also rap and he was both sensual and charismatic and his original shaved head was not too common back in the day when everyone had an afro. An on top of that, Hayes would lead the way for Soul Music in the 70's and open the doors for other Soul musicians like Curtis Mayfield, Marvin Gaye and Stevie Wonder to break out of the fabricated motown influenced music of the 60's where musicians had no personal integrity and were all sounding the same. The irony behind this was that Hayes was a humble backround musician and he worked for the modest label Stax, after his debut album Presenting Isaac Hayes flopped he wasn't even suppost to release a successor.

Hayes released two more albums in 1970, The Isaac Hayes Movement and...To Be Continued before it was time for Shaft the year after. Originally Hayes had hoped to play the lead and to writeit's music, but when Roundtree was appointed as Shaft, Hayes accepted to play a smaller role and since the record company was impressed by the songs he had written thus far he was given green light to record the rest of the soundtrack. The result was groundbreaking. The lead track "Theme From Shaft" topped the Billboard singles chart for two weeks, The album peaked at #1 on the album charts and Hayes even won an oscar for best film music. After the major success of "Shaft" film music got a new importance and even to it's day big budget films always try to attract good musicians for it's soundtrack. it also attracted other artists such as Curtis Mayfield to record the soundtrack for Blax flicks like Superfly and Willie Hutch for Foxy Brown: Original Soundtrack From American International Pictures. Blax flicks became just as famous for their plot as for their music.

To try to sum up the songs of this album in the best possible way, you can say that they all are closely related to certain scenes of the film which make them quite memorable if you have seen the film. Most songs are instrumentals, excellent as soundtracks but not exactly single material, there are also many very short songs. On Mayfield's "Superfly" soundtrack there were more songs with vocals and therefore also more memorable moments since almost any song could have been picked as a single there. But let's not take away anything from Hayes, all of the songs are beautiful and they fit the diffrent scenes of the film well. Obviously the theme song stands out as nothing else here, partly cause it's amazing but also cause it became a synonym for an entire film genre. This brilliant piece is mostly instrumental but the few words that Hayes say are memorable enough "Who's the black private dick
That's a sex machine to all the chicks?" (Shaft!). The 20 minute jam of "Do Your Thing" which shows what Hayes is all about and the hauting and deeply realistic "Soulville" about povery, racism and segregation in USA. Out of the instrumentals, we need to mention the marimba of "Ellis Love Theme" the horns of "Be Yourself" and the electric piano of "Bumpy's Lament".

Well, "Shaft" in an exellent and highly influentual album in any way and if you call yourself a Soul fan you should own this. It demonstrates Hayes and The Bar-Kays at their peak of creativity and this is why he got introduced into the Rock N Roll Hall of fame in 2002. The same year as shaft he would also release his last great album Black Moses which finalized his creative peak. In latter years, he may be better known for Chef in Southpark and for being a spokesperson for the Scientology Church (read sect) but musically no one can take anything away from him. Rest In Peace Isaac Hayes 1942-2008.



5 out of 5 stars Real Fun and some conversation too!!   June 10, 2008
Put this on with pot of greens some hot corn bread, stir in some dominoe buddies and it's on. Don't forget an ice cold brew! Guaranteed pencil whipping fun. This is Curtis Mayfield in his finest hour. Adults only!!


5 out of 5 stars One of the two Best Blaxploitation Soundtracks of the '70s.,   February 29, 2008
 1 out of 1 found this review helpful

"The dude in the funky plaid coat held his coat tight, you dig? Had some heavy iron in his belt."

Set in Harlem and directed by Gordon Parks, Shaft is a 1971 Academy Award winning noir action film starring Richard Roundtree as black private detective, John Shaft, who confronts the Italian mob in his attempts to find the missing daughter of a black mobster. The movie is considered an example of the blaxploitation film genre, and Isaac Hayes' funky rhythm-and-blues-soul soundtrack was nominated for Best Music, Original Dramatic Score upon the movie's release. In fact, the soundtrack is quintessential '70s music (along with Curtis Mayfield's Superfly) and was the driving force in the film (in my opinion). Track listing includes:

1. Theme From "Shaft" 4:36
2. Bumpy's Lament 1:49
3. Walk From Regio's 2:20
4. Ellie's Love Theme 3:14
5. Shaft's Cab Ride 1:06
6. Cafe Regio's 5:59
7. Early Sunday Morning 3:46
8. Be Yourself 4:27
9. A Friend's Place 3:20
10. Soulsville 3:46
11. No Name Bar 6:08
12. Bumpy's Blues 4:01
13. Shaft Strikes Again 3:02
14. Do Your Thing 19:30 Album Only
15. The End Theme (Shaft) 1:56

G. Merritt



5 out of 5 stars A Groovy Soundtrack album for a groovy movie!!   December 31, 2005
 2 out of 3 found this review helpful

This Shaft soundtrack album from 1971 is obviously one of the best selling albums ever in the history of American music (and, I believe, one of the best selling albums released by Stax Records back then). This title made Isaac Hayes (aka "Black Moses") a mega superstar upon its release, due to the title theme, which is the first track on this album. It has an unforgettable intro sound, and the song lasts for barely over four and a half minutes, with Isaac's vocals lasting only for about one minute (or slightly more) halfway through the song. He only sang on three of the songs on this album (the title theme, "Soulsville", and "Do Your Thing"), with the remaining twelve songs being instrumental incidental music from the movie. Some of the other songs on this album are quite good. "Bumpy's Lament", "Shaft's Cab Ride" (which only lasts barely over one minute), "Ellie's Love Theme" (with its soft, easy listening sound that sounds like a song to slow dance to), "Soulsville" (this one containing a sax), "Early Sunday Morning", "Shaft Strikes Again", and the funky track, "Do Your Thing" (which is the longest song on the soundtrack album, clocking in at almost 20 minutes) (!!) and "The End Theme", which is almost two minutes long, playing at the closing credits of the movie. This is the album to get. I first heard the "Shaft" theme years ago when I was little (on a 45 that my mother had years before, not on the soundtrack album), and I consider it the first Stax recording that I listened to. I got the movie for my 24th birthday (in April, '04), and really liked it a lot. Before I got the movie for my birthday that year, I had never seen it ever on TV; not even on the Encore channel! I only knew the title theme and some of those other songs that I mentioned before I got the movie. It is really incredible and quite enjoyable. I highly recommend seeing the movie and getting this album, if you have not already done so. Very groovy! Kudos to Isaac Hayes for his wonderful voice and a good job that he did singing on this album!

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