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Venetian Vespers (Monteverdi * Rigatti * Grandi * Cavalli) /Gabrieli Consort & Players * McCreesh | 
 enlarge | Artists: Research Composer, Giovanni Antonio Rigatti, Alessandro Grandi, Claudio Monteverdi, Adriano Banchieri, Giacomo Finetti, Pietro Francesco Cavalli, Anonymous, Gregorian Chant, Biagio Marini, Gabrieli Consort, Charles Daniels, Paul Mccreesh, Alison Wray, Jonathan Best, Tessa Bonner, Angus Smith, Peter Harvey, Robert Horn, Paula Chateauneuf, Timothy Roberts, Susan Hemington Jones, Fred Jacobs, Celia Harper, Charles Pott, Florian Deuter, Gabrieli Players
Label: Polygram Records
Category: Music
List Price: $33.98
Buy Used: $13.47
You Save: $20.51 (60%)
Used (14) from $13.47
Avg. Customer Rating:  7 reviews
Sales Rank: 106774
Media: Audio CD
Discs: 2
UPC: 028943755221
EAN: 0028943755221
ASIN: B0000057E9
Release Date: May 11, 1993
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
Shipping: International shipping available
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| Tracks:
Disc 1
| • | Intonazione | | • | Suonata prima | | • | Dialogo secondo |
Disc 2
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| Editorial Reviews:
Amazon.com essential recording
Paul McCreesh's second major recording (and second Gramophone Award winner) reconstructs Vespers for the Feast of the Annunciation at San Marco circa 1643, using music by Monteverdi and contemporaries including Cavalli, Grandi, and Rigatti. The music is less dense and lavishly scored than on A Venetian Coronation, but more virtuosic and varied--ranging from Finetti's sweet, languid "O Maria, quae rapis" for two falsettists and Monteverdi's lively "Laudate Dominum" for solo tenor, to Marini's sensuous sonata for three violins and Monteverdi's spectacular "Laetatus sum" for six singers, two violins, two trombones, and bassoon over a repeated four-note bass. There is so much excitement here that even the opening of "Laetatus sum"--four measures of only the repeating bass--shimmers with energy. --Matthew Westphal
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| Customer Reviews: Read 2 more reviews...
One of the best Gabrieli Consort recordings March 17, 2007
1 out of 2 found this review helpful
This really a fine recording. I bought my copy one sunny Saturday morning in Melbourne in around 1993. I saw it on the shelf and I got my wallet out. I was completely blown away by the music on this disc. Rigatti was a real discovery for me.
The use of high falsettists in the chorus and solos is particularly effective and gives us a real insight into the sounds of music in Venice in the early 17th century.
I cannot recommend this marvellous recording too highly, it is clearly one of the best made by the Gabrieli Consort, Choir & Players.
Great playing from the strings, cornetti and tromboni.
Holy music October 16, 2005
4 out of 4 found this review helpful
Venice, once the most powerful city in the world due to its position in trade routes and as a nexus for military activities between the East and West, was also a leading centre for the arts and music for generations. As often happens, the cultural influence of the city remained strong long after the political and economic power was gone. So strong was the influence of Venice at this time that musicians and artists of other nations came to Venice to study, and carried back the influence to their home countries. One of the towering figures of this history was Claudio Monteverdi, who along with his many compositions sacred and secular, is credited with the first opera, 'L'Orfeo'. Monteverdi's compositions form the heart of this collection, which is designed as would be a Vespers service in St. Mark's Basilica in 1643.
Monteverdi is the leading light in this collection, but other composers of the time are also featured. The great Giovanni Gabrieli is acknowledged not only in the opening piece, but also in the name of the performers: the Gabrieli Consort and Players, under the direction of Paul McCreesh. Other composers featured include Rigatti, Grandi, Banchieri, Finetti, Cavalli, Marini, and Fasolo. The service of Vespers at St. Mark's was an elaborate affair, enhanced with extraliturgical motets and instrumental music, according to McCreesh. This was not according to standard liturgical practice, but was typical Venetian practice, where the Vespers became a very popular event. The Doge regularly attended the service.
This recording includes musical settings and plainchant from the time. While St. Mark's had a choir and consort of players totaling as many as 30 people each, usually services would only require about half that number. The choir would have had castrati as part of the vocal ensemble; that vocal range has been provided here by female sopranos and male falsettists.
Paul McCreesh formed the Gabrieli Consort and Players while still a student at Manchester University in the 1980s. Since then, the group and conductor have gone on to international awards and acclaim, specialising in music of the Renaissance and Baroque periods, which this particular disc fits by being done at the mid-point of the transition between the two.
This is a glorious, two-disc collection, done in a wonderful form of reconstructing what an actual service would be like. It is a brilliant performance, with graceful vocal and instrumental blending and strong tones of the spirit of music.
 Good work Gabrieli March 19, 2003
1 out of 3 found this review helpful
Excellent 2-disc release by the Gabrieli Consort. The falsettists were supreme!
A Magnificent Set October 22, 2001
6 out of 6 found this review helpful
The Vespers that Paul McLeish has reconstructed here are those that might have occurred on March 24, 1643, just one year before the death of Monteverdi whose music figures prominently in this service. Vespers is the principle evening service of the Catholic Church and in Venice the music written for this service was spectacular. At San Marco, the Doge regularly attended Vespers and it was typical that the Pala d'oro, the fantastic piece of Byzantine art, was on display.
The music recorded here has great appeal. The Dixit Dominus by Giovanni Antonio Rigatti is very evocative of the warlike nature of Psalm 109 and the four pieces by Monteverdi are among his best works. Of these, the Laetatus sum on Psalm 121 is characterized by highly colorful vocal writing and brilliant scoring which includes a trombone and bassoon, and Monteverdi's Laudate Dominum (Psalm 150) has exquisite writing for the voice. One of the highlights is the motet by Alessandro Grandi O intermerata, which is beautifully sung by Charles Daniels. But I would have to say that I have heard this work by sung with more passion and color by Nigel Rogers (on the recording Venice Preserved). I do recommend comparing the two performances.
The performances are truly excellent on this CD and the recording lends a feeling of a large space, so if you close your eyes you could think you have been transported to San Marco. Paul McLeish put a lot of scholarly work into reconstructing this service but it is not a dry example of scholarship but a vivid and brilliant performance. This is excellent music making that I highly recommended and is precisely that excellence that I have come to expect from the Gabrieli Consort.
An amazing reproduction of 17th century Vespers December 16, 1999
10 out of 10 found this review helpful
Paul McCreesh and his Gabrieli Consort and Players have put together an entirely captivating re-creation of a Vespers service, the Catholic office of evening prayer, as it might have been performed at St. Mark's in Venice in the early 17th century. From the sacristy bell, to the chants, to the massive and breathtaking polychoral hymns and psalms, McCreesh weaves a tapestry of sound that is simply unparalleled. The Gabrieli Players' violinists play with such Italianate freshness and detail -- down to the last trill -- and the sopranos' voices are so fresh and lively that this CD is simply a must-own for any fan of Early Music. Having just seen the Consort and Players perform in Columbus, OH on 15 Dec. 1999, I can say for sure that this group is simply magical. There are few CDs I would grab on my way out of a burning building -- this is one.
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