Astrakan Cafe

On the down side, I still find the first piece (by the clarinetist Barbaros Erkose) disappointing, even after repeated listening. Moreover, the clarinet is over modulated in a few spots. With these exceptions, the music and the sound quality are both superb. This disc will reward the listener with a wealth of detail when played on a good audio system.


a taste of exotica   December 24, 2003
 11 out of 11 found this review helpful

This still certainly rates as jazz, but just as much it gives the impression of a visit to... --well, uh, a cafe in Astrakan. Especially atmospheric is the clarinet play of sideman Barbaros Erkose, which produces just the right emphasis of exotica to complement Brahem's virtuostic oud play (is there a greater student of this instrument now recording?) and the unobtrusive backing percussion (bendir and darbouka). This is a tuneful but rather laid back kind of jazz, occasionally giving itself over to flashes of brilliant play. It sounds more than just a bit mysterious, but it is a naked mystery. Stripped of the kind of mood cliches one often hears in the soundtracks to bad films about Arabic lands, this music reveals some of the emotional secrecies that can be found at the heart of the cultures it strives to portray.


Traditional music from a Master   August 30, 2003
 14 out of 15 found this review helpful

I own around 1200 CDs, and I consider myself an expert in international music. This one CD stands out among a very few in my collection. I am going to try to describe it, but I won't be able to do justice; I can't find the right words. This fully instrumental CD (no singing) takes you to a magical land and recreates centuries of middle eastern imagery in the mind of the listener. This is not a CD like "Simon Shaheen"'s modernistic approach to Middle Eastern music. This is "traditional Middle East" with perfect harmony and perfect performance. I have played this CD hundreds of times since I purchased it. And I still love it like the very first time.